that's a fun name for a song. It's possible I made the best mouse-click of my life. Wow, what a song! Such emotion, such passion. It was like I was listening to a mix of Rage, Nirvana, Janis Joplin, and Alanis Morissette. And let me tell ya, that's one hell of a combination.Remember when Morissette's Jagged Little Pill came out and everyone was all like, "Oh my, that Alanis - she's an edgy little thing, isn't she!". Now imagine that somehow Janis Joplin and Alanis Morissette had a baby, and that this new baby also, somehow, had the blood of Nirvana and Rage Against the Machine flowing through it. And just for good measure, this new baby took additional music lessons from Ryan O'Reilly. Dead Sara is simply brilliant. Screaming? Check. Unbridled passion? Check. A sincere, pissed off attitude? Check. Badass Rockstar look? Check. Keep in mind, I'm only talking about the one song. You have no idea what is in store for you as you continue to listen to Dead Sara!Now I know what you're thinking - "Mars, Weatherman is a cool song and all, and ya, Emily has an awesome voice... but it's a studio version of the song. Anybody can sound good in studio".sbobet asiaAnd I would reply with, "Obviously you haven't checked out the live version of the song yet". You would then go check it out and be all like, Holy Crap.I could immediately tell that Dead Sara, before I even read anything about them, were fans of Nirvana. Vocal comparisons aside (not that Emily and Kurt's voices have any comparison besides the gravely-ness, which is really more an Emily and Janis Joplin comparison), the music sounds similar. And as strange as this is going to sound, the way the music feels is similar. Not the way the music makes you feel, but how it feels when you listen to it. Again, that may not make sense - at least not until you listen to Dead Sara's music.Dead Sara makes music that is simply exhilarating. If this music doesn't get your ass up outta your chair and head-banging, you, my friend, have some serious issues you need to address. Dead Sara possesses all the tools for music domination. Emily Armstrong's voice is incredibly unique. It's strong and powerful, scratchy yet elegant, and perfect pitch. And the kicker? She sounds just as good live (arguably, better) as in the studio versions.Siouxsie Medley is a badass guitarist. There are a good number of female fronted bands, and many of them have female guitarists. But there aren't many who can play the way Siouxsie can play - it's simply magical. Her guitar playing would fit in wonderfully with Rage Against the Machine,sbobet วิธี เล่นfull of heart-pounding, head-banging guitar riffs.Dead Sara can undoubtedly "Rock Out" with the best of them. But they're not all Rock. There is a huge difference between their songs Weatherman, which is more of a harder Rock, and We Are What You Say, which is a softer, Poppier Rock. Not that I would ever classify them as Pop Rock, though. And then when you listen to Sorry For it All, you hear the softer side of Dead Sara, and it too is wonderful, possessing a very nice Counting Crows vibe to it.Dead Sara is the complete package, the real deal, all that and a bag of chips and all those other cliche sayings.วันอังคารที่ 27 พฤศจิกายน พ.ศ. 2555
Dead Sara Music Review
So I was doing my daily browse for awesome music, and I came across this song called Weatherman. And I thought,
that's a fun name for a song. It's possible I made the best mouse-click of my life. Wow, what a song! Such emotion, such passion. It was like I was listening to a mix of Rage, Nirvana, Janis Joplin, and Alanis Morissette. And let me tell ya, that's one hell of a combination.Remember when Morissette's Jagged Little Pill came out and everyone was all like, "Oh my, that Alanis - she's an edgy little thing, isn't she!". Now imagine that somehow Janis Joplin and Alanis Morissette had a baby, and that this new baby also, somehow, had the blood of Nirvana and Rage Against the Machine flowing through it. And just for good measure, this new baby took additional music lessons from Ryan O'Reilly. Dead Sara is simply brilliant. Screaming? Check. Unbridled passion? Check. A sincere, pissed off attitude? Check. Badass Rockstar look? Check. Keep in mind, I'm only talking about the one song. You have no idea what is in store for you as you continue to listen to Dead Sara!Now I know what you're thinking - "Mars, Weatherman is a cool song and all, and ya, Emily has an awesome voice... but it's a studio version of the song. Anybody can sound good in studio".sbobet asiaAnd I would reply with, "Obviously you haven't checked out the live version of the song yet". You would then go check it out and be all like, Holy Crap.I could immediately tell that Dead Sara, before I even read anything about them, were fans of Nirvana. Vocal comparisons aside (not that Emily and Kurt's voices have any comparison besides the gravely-ness, which is really more an Emily and Janis Joplin comparison), the music sounds similar. And as strange as this is going to sound, the way the music feels is similar. Not the way the music makes you feel, but how it feels when you listen to it. Again, that may not make sense - at least not until you listen to Dead Sara's music.Dead Sara makes music that is simply exhilarating. If this music doesn't get your ass up outta your chair and head-banging, you, my friend, have some serious issues you need to address. Dead Sara possesses all the tools for music domination. Emily Armstrong's voice is incredibly unique. It's strong and powerful, scratchy yet elegant, and perfect pitch. And the kicker? She sounds just as good live (arguably, better) as in the studio versions.Siouxsie Medley is a badass guitarist. There are a good number of female fronted bands, and many of them have female guitarists. But there aren't many who can play the way Siouxsie can play - it's simply magical. Her guitar playing would fit in wonderfully with Rage Against the Machine,sbobet วิธี เล่นfull of heart-pounding, head-banging guitar riffs.Dead Sara can undoubtedly "Rock Out" with the best of them. But they're not all Rock. There is a huge difference between their songs Weatherman, which is more of a harder Rock, and We Are What You Say, which is a softer, Poppier Rock. Not that I would ever classify them as Pop Rock, though. And then when you listen to Sorry For it All, you hear the softer side of Dead Sara, and it too is wonderful, possessing a very nice Counting Crows vibe to it.Dead Sara is the complete package, the real deal, all that and a bag of chips and all those other cliche sayings.
Raw, untamed passion mixed with an abundance of emotion, harmony, and melody all wrapped up with perfect song structure and amazing stage presence. Just talking about Dead Sara gets me excited!Now I'm gong to make a prediction, and it may be premature in some people's minds, totally inaccurate in other people's minds, and a "duh" statement in everyone else's mind. But this band is going to be huge - IF - they don't sell out. IF they keep making music like this. IF they don't succumb to the temptations of mainstream radio. Otherwise, they'll be just another mainstream band that sold out. I realize those are some lofty expectations, but this band has got so much going for them. Music, especially Rock, needs this band to stay true to its roots. Dead Sara could be the band we look back on in 20 or 30 years and say, yup, they saved Rock. They made music good again.ibcbet sbobet
that's a fun name for a song. It's possible I made the best mouse-click of my life. Wow, what a song! Such emotion, such passion. It was like I was listening to a mix of Rage, Nirvana, Janis Joplin, and Alanis Morissette. And let me tell ya, that's one hell of a combination.Remember when Morissette's Jagged Little Pill came out and everyone was all like, "Oh my, that Alanis - she's an edgy little thing, isn't she!". Now imagine that somehow Janis Joplin and Alanis Morissette had a baby, and that this new baby also, somehow, had the blood of Nirvana and Rage Against the Machine flowing through it. And just for good measure, this new baby took additional music lessons from Ryan O'Reilly. Dead Sara is simply brilliant. Screaming? Check. Unbridled passion? Check. A sincere, pissed off attitude? Check. Badass Rockstar look? Check. Keep in mind, I'm only talking about the one song. You have no idea what is in store for you as you continue to listen to Dead Sara!Now I know what you're thinking - "Mars, Weatherman is a cool song and all, and ya, Emily has an awesome voice... but it's a studio version of the song. Anybody can sound good in studio".sbobet asiaAnd I would reply with, "Obviously you haven't checked out the live version of the song yet". You would then go check it out and be all like, Holy Crap.I could immediately tell that Dead Sara, before I even read anything about them, were fans of Nirvana. Vocal comparisons aside (not that Emily and Kurt's voices have any comparison besides the gravely-ness, which is really more an Emily and Janis Joplin comparison), the music sounds similar. And as strange as this is going to sound, the way the music feels is similar. Not the way the music makes you feel, but how it feels when you listen to it. Again, that may not make sense - at least not until you listen to Dead Sara's music.Dead Sara makes music that is simply exhilarating. If this music doesn't get your ass up outta your chair and head-banging, you, my friend, have some serious issues you need to address. Dead Sara possesses all the tools for music domination. Emily Armstrong's voice is incredibly unique. It's strong and powerful, scratchy yet elegant, and perfect pitch. And the kicker? She sounds just as good live (arguably, better) as in the studio versions.Siouxsie Medley is a badass guitarist. There are a good number of female fronted bands, and many of them have female guitarists. But there aren't many who can play the way Siouxsie can play - it's simply magical. Her guitar playing would fit in wonderfully with Rage Against the Machine,sbobet วิธี เล่นfull of heart-pounding, head-banging guitar riffs.Dead Sara can undoubtedly "Rock Out" with the best of them. But they're not all Rock. There is a huge difference between their songs Weatherman, which is more of a harder Rock, and We Are What You Say, which is a softer, Poppier Rock. Not that I would ever classify them as Pop Rock, though. And then when you listen to Sorry For it All, you hear the softer side of Dead Sara, and it too is wonderful, possessing a very nice Counting Crows vibe to it.Dead Sara is the complete package, the real deal, all that and a bag of chips and all those other cliche sayings.
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